The painted doll that the child fancied! the paint washed off and the golden hair all turned to drab? Could one be sure of “getting used to it,” of “liking it better?” And the poor bewildered doll itself! How could one expect to make of it a statue: “The Woman of the People.” One could only bruise it. He shook his head. “With you,” he said. “There’s something about you that makes one ashamed of worrying about the little things. But the others: the sneering women and the men who wink over their shoulder while they talk to you, I shall never be able to get away from them, and, of course, wherever I go—”!

“That’s like you women,” he answered with a smile. “You pretend to be superior; and then you copy us.” “I’m willing enough,” answered Flossie. “But what about Old Mother Nature? She’s going to be in this, you know.”

“Oh, well, one can’t help one’s thoughts,” explained Flossie. “It would be a blessing all round.” “What on earth induced Helen to bring that poor old Dutch doll along with her?” demanded Flossie. “The woman never opened her mouth all the time. Did she tell you?” She had lost her faith in journalism as a drum for the rousing of the people against wrong. Its beat had led too often to the trickster’s booth, to the cheap-jack’s rostrum. It had lost its rallying power. The popular Press had made the newspaper a byword for falsehood. Even its supporters, while reading it because it pandered to their passions, tickled their vices, and flattered their ignorance, despised and disbelieved it. Here and there, an honest journal advocated a reform, pleaded for the sweeping away of an injustice. The public shrugged its shoulders. Another newspaper stunt! A bid for popularity, for notoriety: with its consequent financial kudos.